Posts tagged: west town
TODD DIEDERICH: LUMINOUS FLUX
APRIL 5 - APRIL 28, 2013
Opening Reception: Friday, April 5 from 7-10pm
Johalla Projects is pleased to announce TODD DIEDERICH: LUMINOUS FLUX, its first solo exhibition with Chicago photographer Todd Diederich. The exhibition will run from APRIL 5 to APRIL 28. Please join us for an opening reception on Friday, April 5 from 7-10pm.
Todd Diederich’s photographs are cultural artifacts. The consummate anthropologist, Diederich spends time laboriously patrolling the city streets, using the camera as a method of transcription and interpretation. In its barest sense, LUMINOUS FLUX functions as an excuse to deliberate the perplexing, often bizarre personality that is Chicagoland. However, while each of Diederich’s photographs can serve as a literal document, as viewers we are transported to a different place – one bursting with character, color, and peculiarity. Claiming inspiration from the “energy sources throughout the cosmos”, Diederich has a knack for finding the pulse of the moment. It is with this very same capacity that he truly captures the flux, often discovering the very essence of human interaction and emotion. In this sense, Diederich’s LUMINOUS FLUX seizes the transformative moments of impulse and provides an opportunity to contemplate the fleeting.
TODD DIEDERICH: Creator, inventor, and channeler working through photographic imagery, digital video, and anything else that can leave a mark. Diederich is a former VICE magazine contributor and a 2010 Propeller Fund awardee. In addition to a 2011 solo exhibition at ACRE Projects, Diederich’s work has been featured in Oyster magazine, Paper Magazine, Complex, Design Bureau and the Chicago Reader. A monograph entitled Luminous Flux is soon to be released. Currently runs www.BeOddDieRich.com.
For more information, please contact Anna Cerniglia at email@example.com.
In Collaboration with ACRE Projects:
Opening Reception: January 11, 2013 from 8-10PM
Gallery Hours: By Appointment Only
Join Andrew Mausert-Mooney and collaborators* on January 11th for an evening of cinematic vivisection.
**On one end of the gallery there is a set. An actor performs a series of gestures amidst props, camera persons, a musician, projected backdrops and a studio audience. Simultaneously, at the other end of the gallery, the resulting video piece (WEATHER PATTERNS) – restricted by frame, dismissive of scale, married by cut – is presented via live feed on a monitor.
The performance repeats, like a voice pronouncing a word until only sound can be heard, for the duration of the opening. At the end of the night a single iteration of the video is selected to run, opposite the empty set, for the remainder of the show.
This opening is produced in collaboration with ACRE Projects.
Andrew Mausert-Mooney (b. 1986) is a Chicago-based artist working with 16mm film,video, performance and installation. Andrew’s work has showed in festivals, galleries and exhibition series around the world including the American Film Institute, CineVegas, Chicago Underground, Gallery 400, the Sullivan Gallery and Other Cinema. He recently received his MFA from the University of Illinois-Chicago in the Spring of 2012.
*Kimberly Christian, Edward Dignan, Marriana Milhorat, and Tim Nickodemus
**As a preview of the work, the artist has provided the above information.
Gallery Hours: By appointment only
Nowhere is an ambiguous yet ubiquitous space. It is woven into our civic and commercial landscape as irresponsible and irrelevant decoration. In these images, we see spaces that we move through every day but rarely acknowledge for their functional purpose or aesthetic value. How we engage with these spaces speaks to how we neglectfully pass through our own culture and cities and more importantly our interactions with one another.
Through these photographs, Ian explores the ironic and garish nature of what surrounds us. By drawing the viewer into the banal and confronting the illusion that these environments are important and of interest, the mirage quickly dissolves, unveiling impotence and benign ornamentation.
Those promising paths that once led us forward, reaching into the horizon, have been cleared away and accessorized. Following the rhythm of Progress, our civic body ceaselessly expands and the horizon draws near—collapsing in on us— as it becomes clear that we have arrived nowhere in particular.
About the artist: Ian J. Whitmore was born and raised in Nebraska. He earned his BFA at University of Nebraska–Lincoln and later his MFA at Indiana University–Bloomington.
He has exhibited work nationally; most recently at the Photographic Resource Center at Boston University, the Chicago Cultural Center, University of Mary Washington, University of Michigan, University of Wisconsin–Milwaukee, the Photographic Center Northwest in Seattle, and the South Bend Regional Museum of Art.
A former Adjunct Instructor in the Photography Department at Columbia College, Ian is now an Assistant Professor of Art at Portland State University in Oregon.
Ian is currently engaged in a long-term artist book project titled Onomasticon: A Vocabulary for Nowhere derived from the body of work you see in this installation.
For more information, contact Anna Cerniglia at firstname.lastname@example.org.
from Heidi Norton’s Reasons to Cut Into the Earth, now on display until February 29th at Johalla Projects
Reviews and interest keep rolling in for Heidi Norton: Reasons to Cut Into the Earth!
Hello awesome art enthusiasts!
We have just recently updated our exhibitions page on our website with some images of our current exhibition — Heidi Norton’s Reasons to Cut Into the Earth.
Also, the show will be installed through Wednesday February 29th, with open gallery hours next Saturday and Sunday (25th-26th) from 12-5PM. Otherwise, you can view the exhibition by appointment.
Head on over to our website and check out some images of the installation HERE! or by copying and pasting the URL — http://www.johallaprojects.com/calendar/current-exhibition/